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Please give a brief history of the band.
We stared 15 years ago. We started as little kids in Boston,
playing in punk rock clubs. There are still 5 original members in the band.
We had the same line-up for about 8 years straight, and then over the past
couple of years a couple of the guys petered out. They got tired of it. But
the cool thing is the guys we have got are stoked and they are good too.
So it has probably made it better. Definitely more enthusiasm, the other
guys were great musicians too , there was magic there but these new guys
are super talented.
We have been lucky as band every step of the way. Even when things happened
that we thought were bad turn out really to be good things. Like we got dropped
from a major label but it was kinda a blessing in disguise. But the way the
punk scene is now and the way major labels operate it was pretty cool for us
to get out of there pretty much scot free and move on to an indie label which
is much better and people are really stoked. And it’s just a better place for
us to be right now. If we had decided to go we would have had a lot of trouble
and besides they had to give us a lot of money. ment alot to us.
With there being so many of you in the band the paycheck has obviously got
to go a long way, how does it work out and do you do other jobs as well?
Not only the pay cheque, but we have 12 guys on this bus – from
the early days in the band we had to learn to share. And we do. We share
the money and that has to be a positive thing. I am sure you hear horror
stories about publishing money and song writing royalties and a lot of the
times that splits up bands, but the guys in the band who write the primary
songs have always been really generous sharing that money. Liked money that
was maybe earmarked for individuals in the band has been shared which is
a really cool thing.
The Bosstones is a full time thing. When you are not on the road if you want
anything to go right you have to pretty much do it yourself. Especially when
you are in Do It Yourself punk rock band. This year, guessing we will do at
least 200 shows. :Last year we probably did 50 shows – it varies year to year
depending on what we are doing. Like last year we were working on songs for
an album so we took a lot of time off to do that.
You were one of the founder bands to fuse punk with ska – if
you could choose just one of those genres which would it be?
I think we would be a punk rock band. That is pretty
much what first and foremost that is what we think of ourselves as a punk
rock band. There is a lot of different music we like and we try to bring
it in. Whether we sucessed at it or not is another question. I don’t think
we would really think that we were a good enough ska band, whereas we can
play punk.
Which other bands do you rate?
We basically came out of the hardcore punk scene in Boston
that was about in the early 80’s. That is where we got the DIY mentally.
There were bands in Boston like Gang Green and Jerry’s Kids and this is who
we hung out with. The cool thing about it was each city had it’s own scene
but at the same time there was also like a network. You know back then punk
rock was a way for kids to communicate before the Internet and all that.
There was scene in DC of Minor Threat and Bad Brains, and there was a Los
Angelese scene. And you would help the other bands tour and stuff like that.
So that is what we kinda what we learnt and those were the bands we looked
up to. We of course loved English stuff; this is what these bands were listening
to at the time. This was like the first wave of American punk after that.
Then we heard about the two-tone thing and got really into that. We could really
relate to it because to us, maybe we are not correct about this, but to us
it looked like our scene. Really united, really about sticking together. Bringing
different styles together and having a good time. That’s what appealed to us
with the two-tone thing.
You mention Gang Green in the old day, is there any band you have a special
relationship with these days?
Yeah, recently we have been touring with Flogging Molly
quite a bit. We just did the Deconstruction thing over here and we have done
the Warped tour again in the States. Lagwagon, H20, NOFX were on the Warped
tour. Snuff right now.
Have you noticed a difference in the scenes in the various
countries?
There’s really not that much difference. That is one of
the first thing I took away on first European tour in the early 90’s, not
having been over here before that peole are pretty much the same whever you
go. There are some differences, but the music differences are more at the
higher levels like in the States the big record labels and the way the operate
is a little different than over here. And the way pop music over here is
almost regarded as a commoditly like steal or oil or something and it is
talked about it the newspapers as such. Whilst in the States, I am not talking
about quality or anything it is viewed more as just entertainment.
What’s the funniest thing that has happened to you when you
have been touring?
We’ve been touring for over 10 years, so a lot of funny
stuff. If I had the other guys around we could probably tell you loads of
stuff, but is hard to pull something from the top of my head.
Is there any band you would be particularly honoured if they
covered a Mighty Mighty Bosstones track?
I like the new breed of some of the younger bands who
are over here like [Spunge] but non of the Bosstones songs are that coverable.
I am not trying to say that we are so great or something, but I haven’t heard
that many cover versions of Bosstones tracks. We are like a cover band in
a way, we love to cover other stuff. We have recorded a load of covers like
Aerosmith, Van Halen too, Stiff Little Fingers we still do that live sometimes
we do ‘Tin Soldiers’.
We do ‘Lights Out’ each might which is an old Southern Californian hardcore
punk tune by the Angery Samoens. In a way that’s just paying tribute to the
bands that we like. We have always done covers, but all bands do – when we
signed with a major label it was like ‘up-yours, this is what we do, take it
or leave it’.
What record label are you currently with?
Our label in the States for one record is Side One Dummy,
they are in Los Angeles. We have been associated with them for a while, they
kinda manage us. WE have been working with those guys, we actually have a
relationship with those guys that goes way back to when Joe was in a band
called Wax and AJ worked with us, so we have been buds for a long time. So
a couple of years ago when we needed some management we went to those guys
and said could they give us a hand with this. They were doing such great
things with the label and they are such high-energy guys, they weren’t managers
but we got them to do it and they’ve done a great job. So based on that it
was natural to go with them,, the label has done a really good job, they
have put out some great stuff.
We are just now starting to explore some of the possibilities because there
are not many bands with the management and record label all with the same goal
working together and the band. So we are talking about doing shows where we
can give away CDs, which you would never be able to do if you were on a major
label and had separate management. You almost have to be really creative because
not many bands are in this position. We are kinda putting them out ourselves
and we have these guys with the structure of an office and the ideas and energy
to do it.
Tell the readers five facts about the band / band members
they will not know.
Everybody in the band has a dog. (At this point I
am shown a picture of a ‘rat-terrior’).
Jo our bass played is in another band called ‘Boy One Thing’ who put out a
record on Side One Dummmy too.They are going to do a lot of touring, I wouldn’t
be surprised if they come over here. They have had some shows with us back
in the States.
We’ve never been to South America, that is one place we have not been to. Kids
at shows have come up to us and have said you guys have to come to Peru.
Roman our sax player speaks Russian. He was born in Russia – so there’s trivia
for you
DB is going to be on a game show called the Pyramid. Have you ever seen the
10,000 Pyramid it was gig back in the 70’s. They are redoing it now, Donny
Osmond is the host. He has already shot it, he did really well, but did not
get the 10,000 or anything, but he had good time. DB is a bright guy, that
is why he makes a brilliant front man he is quick in speed.
Plans, gigs and releases planned for 2002/2003.
When we get back from this tour we are pretty much going
straight onto a two month US club tour. Clubs, theatres places like this
1,000 ticket venues over the whole country. And then we finish it off in
Boston in something we do each called the ‘Hometown Throwdown’ and we do
a 5 night run in the city each year in a small club. There are different
bands everynight so it’s pretty cool – it has achieved legendary status to
some extent, so fans from all over the world will come. The Bouncing Souls
may do it this year and Avail and bands that would never normally play a
little club, especially with another band because there wouldn’t be enough
money, but they will just come and do it for the fun of it.
We are primarily a touring band, that is what we do – that is kinda how we
set out to be. We never really made much money, if any from records and which
is probably the case with most bands unless you are Mariah Carey or Robbie
Williams or somebody like this. We have learnt over the years if you want to
make a good album you have to put some time aside to write some songs. We have
made some border line albums which we rushed when we were younger when we didn’t
know and amangers and labels were trying to make us go different directions.
We just tried to make everyone happy cos we are just these morons from Boston
who just want to play to kids. Over the years you learn to tell the outside
foces to fuck off and you do what you have to do, especially if you are an
artest or whatever and you are trying to make good music.
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